Craft Design - Protect it or Forget it

by ACID - Anti Copying in Design

Staying ahead in today’s competitive world is a major challenge made more difficult by the increasing threat of design theft globally. The rise in indiscriminate copying means that those within this market need to be ever more vigilant and aware of the pitfalls. Good craft design isn’t just something that miraculously appears, it usually takes investment, hard graft and creative skills that result in excellent, safe products that makes designers lead rather than follow. It can take years of sweat equity to create a brand that end users want to be associated with - if excellent design is to continue to be recognised as a key unique selling point to craft design buyers it must also represent a value in revenue income to those who create it.

Design rights subsist in almost every original, new design and increasingly companies are becoming savvy to the strengthened laws created to protect them. It’s time now to embrace those design buyers who recognise that DESIGN = VALUE to the creator/owner and provide guidelines of how not to infringe the rights of originators to those who fall by the wayside – its those that ACID wants to target.

So what can be done?
ACID’s advice to those within the craft industry is to understand the basics of intellectual property rights so that a preventative and deterrent strategy can be created thus ensuring better protection and full commercial exploitation of creative input/new designs. By creating a safer legal framework within which to establish sounder commercial relationships, the arts and crafts world can be a more profitable place for all key players. Knowledge is a key strength and education, i.e. knowing and understanding what law protects all parties, is key to creating an effective anti copying strategy as well as fully exploiting and commercialising products that are created.

What are design rights?
Get to know the rights that protect you! Under UK and EU law these rights are conferred on the creation of a new 3-dimensional design. They can be unregistered or registered. Unregistered or registered design protects the appearance of a product – this includes shape, contours, lines, colours, texture of the product or ornamentation. The definition of a “product” includes parts, get-up, symbols and typefaces.

How can designers get design rights?
Unregistered rights are an automatic right. In the UK they last for 15 years (if not exploited) or 10 years after they are made available to the public. In the EU unregistered community rights last only 3 years from the date the design is first made available to the public. UK Registered rights can be obtained from the UK Patent Office (www.patent.gov.uk), and last for 25 years renewable every five years and cost £60 per design. A Registered Community Design is available from OHIM (The Office for Harmonization in the Internal Market) and costs • 350, lasts for 25 years and offers protection in 25 countries. (www.oami.europa.eu). However, the more designs you file at the same time, the more cost effective it becomes so long as they are in the same class.

How can design rights be enforced when someone copies your designs?
If a designer has a Registered UK or EU design this is a monopoly right (you have a certificate which says you “own” the design) and you do not have to prove copying. With an Unregistered design you need to provide evidence of design ownership i.e. a design audit trail. (ACID offers its members a free and unlimited design register providing independent evidential proof regarding the date this is received by the ACID office). ACID’s advice is to communicate the value designers place in the designs you create DESIGN = VALUE and suggested the following statement is used on all marketing material, websites, product labelling.

“All intellectual property rights existing in our designs and products (and in the images, text and design of this website/ marketing material) are and will remain the property of (insert designer’s name). Any infringement of these rights will be pursued vigorously.

This statement is available in ten different languages. Prevention and deterrence should be a key priority in all design processes so that IP rights can be fully exploited and reap the rewards of the design equity which has gone into bringing a product to market.

What constitutes an infringement of Unregistered or Registered UK or EU design right?
An infringement will occur where another design creates the same overall impression to the informed user as the original design What can I do to protect my unregistered designs? Quite simply, sign and date all design drawings and keep them in a safe place, preferably set up a document management system or send them to a third party – your solicitor, accountant or to an organisation such as ACID who offer a free Design Register to members providing third party evidential proof of date of origination. This does not add to your rights but can help substantiate your design ownership with compelling evidence should you ever need it.

In many cases going to court is the only way to enforce your design rights - this can prove expensive - is there another way? Often a comprehensive letter before action (LBA) or a “cease and desist” letter can be effective in achieving the objectives of a designer who has been copied especially if that is strengthened by being able to offer evidence of a registered design. A good LBA is also strengthened by the underpinning of the ACID brand which communicates that a member knows and understands their rights, asserts their rights and communicates that they are prepared to take action. Only 3 out of the 200 settlements on behalf of ACID members have reached a final court hearing. Over two million pounds has been recovered in costs and damages. All successful settlements are communicated throughout the relevant trade press, thereby communicating a deterrent message to competitors within the same marketplace. Don’t forget too, that you can now protect yourself further by having intellectual property insurance and ACID has just launched such a scheme with REACT. The scheme is underwritten by Hiscox. Increasingly, companies who experience copying problems are suggesting IP mediation as a cost effective route to problem solving. If a company suggests this course of action to the alleged copyist and they refuse, should the matter go to Court the Judge will not look at this favourably if the alleged copyist has refused to take the reasonable mediation route.

Are design rights as effective as they should be? If not why not and how can this be rectified?
Whilst we are delighted with the introduction of the Registered Community Design and see the deterrent aspect as a real benefit for designers, we feel that the Enforcement Directive does not address some fundamental issues. ACID has submitted responses on the European Enforcement Directive urging the introduction of criminal sanctions for design infringements and the expansion of the remedies available for design infringement. ACID is also campaigning for the introduction of a new law of Unlawful Imitation and considers that there is a loophole in current legislation. After two years of lobbying Government there has been an acknowledgement that the examples and arguments submitted by ACID - that “passing off” does not provide an appropriate legal remedy for certain legal issues - part one of our objectives achieved. Part two is to ensure that the new law is implemented.

How can I fully exploit the IP I create?
Pressure to innovate is forcing brands to develop new partnerships – IP can be successfully exploited through licensing and it can be a way to satisfy a range of corporate objectives from entering new markets to repositioning of the brand to reach new markets and, therefore, responding to the increasingly challenging business environment.

Is it worth protecting products by applying for design rights?
As the inventor Trevor Baylis says

“No-one pays you for a good idea but they may pay you for a piece of paper which says you own the idea” – we agree!

www.acid.uk.com
ACID membership hotline 0845 644 3617

Craftsman Magazine - Issue 186
 
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