Bruntnell-Astley ‘Pop Up’ Contemporary Glass Exhibition

24th August 1pm until 9th September 3pm 
The Whitehouse Cone Museum of Glass, Vine Street, Stourbridge, DY8 4AA 
Citrine detail by Keith Cummings 2017 Photo by Simon Bruntnell

Citrine detail by Keith Cummings 2017 Photo by Simon Bruntnell

 

Since its launch in Bruntnell-Astley has established itself as a major promoter of, and dealer in, the work of artists who use glass as an expressive medium. Its base in the Stourbridge was, for centuries, a traditional glassmaking area, but, since the demise of the factories has seen a regeneration in glass making through a network of small studios within which predominantly unique pieces are produced. In addition the area is also home to a world renowned collection of glass (currently being rehoused), and educational establishments with a long history of specialisation in glass. While Bruntnell-Astley has naturally reflected the richness of this area in its stable of artists it has always sought to develop a wider, more international profile. The selection criteria adopted by B-A cuts across boundaries to reach only work of great originality and quality. Following its successful presence at Collect 2017, the show planned for August will run as part of the 2017 Glass Biennale programme, and will help to showcase the new White House Cone Museum building before Stourbridge`s  historical collection moves in.

The artists in this important show are, true to B-A`s ethos, from disparate backgrounds, and present a variety of approaches to their choice of material. Contributors vary in age and experience, from veteran Keith Cummings, with new works that reflect over half a century of involvement with glass in the Stourbridge area, and his life-time interest in glass casting, to newer artists like Simone Crestani who works in Venice and who presents ground-breaking, large scale  lamp-worked sculptural pieces. Techniques used by the exhibitors vary from those, like glass blowing, which have been used for millennia, to 21st century processes like water-jet cutting, and the resulting variety of form, colour and texture present an overall view of the material, used by a diverse body of artists in artefacts, that represent the very best of contemporary studio glass.

 

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